Photo Challenge 4 – Transition

December 16, 2008 by  

I’m impressed! I honestly didn’t think the gang could keep it together for this many challenges, but to all of our credit we’re still moving forward. Not only that, but we’re expanding our numbers.  As of next challenge I am very pleased to announce a new contributor – Katiane Goes.

Katy lives in Brasilia, the capital city of Brazil.  Katy is a teacher, and a beach lover who lives 1300 km from the nearest beach.  She has an excellent photo collection on Flickr which I invite you to go check out now. Welcome aboard, Katy!

Transition can mean so many things to so many people. And therein lies the fun of asking four very different people to apply their creativity to this theme.

Steve’s submission:

"Transition" - Steve

My thoughts: I’m not sure I should go first this time, as I don’t think my photo is really indicative of my style, nor a particularly good shot.  However, it does show the constant cyclic transition that nature experiences. In this case an old tree comes to a possibly untimely demise at the hands of farmers, but way below the eyeline, as yet unnoticed, the tree’s offspring raises it’s youthful head ready to take up the challenge of survival.  Shot on the Canon 30D, 45mm, F22, 1/50, ISO 100. Primarily processed in Lightroom 2.1 and all the really tough stuff cleaned in Photoshop CS3.

Mat’s Submission:

"Transition" - Mat

My thoughts: Mat, this is a fantastic idea.  I really love what you’ve come up with.  Next step for you is to build your technical skills to allow you to present the very best version of your ideas that you can. Ken is the post-processing master, so go drop in on him unannounced, with a bottle of wine of course, and get him to give you the works. Your photos will love you for it, and the less creative of us (i.e. me) will be bowing in deference.

Mat says: I struggled to come up with an idea for this one. I had some thoughts about sunsets or nature scenes where one landscape transitioned into another one, eg grass to beach to sea, or field to freeway, or parkland to car park – but the very wet Melbourne weather this weekend made me somewhat disinclined to venture into the great outdoors.

So I ended up deciding that with every tick of the clock we are transitioning from one time into another. I used a 5 second exposure to capture 5 ticks in a fairly gloomy room, then I massaged the result with some of the filters in Lightroom and Paintshop Pro to give it a slightly more abstract and grainy feel. I wanted an old fashioned look which is offset by the word QUARTZ showing it is actually a modern clock – hence indicating a transition from the old clock-work world to our modern electronic one.

 

Ken’s Submission:

"Transition" - Ken

My thoughts: I think Ken might still be having trouble with my Aussie accent, because he’s given us “trainsition” instead. :-) This image had me believing the trains were both moving, making me wonder how on earth he took the shot. I love the character and details in Ken’s images, so even when I’m through thinking about the life analogy delivered by the passing trains, I can analyse the rails and stones to see what I can find in there.

Ken says: I must say…I have struggled with this week’s theme!  I understand why Stephen chose it, but once again I did not want to entertain the obvious and therefore set out to find something left of field. 

Whilst shooting the various images to compile this particular shot, U2’s Running to Stand Still was drifting through my head. For me, this week at least, transition is a train wreck in the making… We sometimes struggle to transcend without tearing down everything and beginning again. With all our optimism we set out with the lesson previously learnt in an attempt to make the transition to a better, happier life… Our problem is that we never really apply what was learnt and fall desperately back onto the same ol’ twisted tracks. All the while it seems that everyone else is on the fast train…passing us by…getting somewhere… anywhere….or maybe we are all just running to stand still?

U2 – Running to Stand Still (first verse)

And so she woke up

Woke up from where she was lying still
Said I gotta do something about where we’re going
Step on a steam train
Step out of the driving rain
Maybe run from the darkness in the night

This was shot with my trusted Nikon D2X, Nikon 28-35mm f2.8 lens. (shot at f8 at about 1/300 , ISO 200) 

 

 

Joepi’s Submission:

"Transition" - Joepi

My thoughts: I left the best for last. This is the most tangible and definable transition of all, and Joepi’s presentation of herself in this collage is a little self-deprecating, a trait Aussies love.  I’ll leave it to Joepi to explain the story behind the image.

Joepi says: I had no plans of actually sending this,but I did put the collage together for the challenge just for the giggles.

The transition from drab to fab is every girly-girl’s favorite activity. And every woman goes through these transitions at least once in their lifetime, others do it too often, others too little and most, like me, do it for fun (especially if it’s a free make over!) 

This was taken with my Canon 400D by my fellow budding photographer, Karen Joy Flores who has, because of this particular session, just recently bought her own portrait lens. Exposure 1/60 Aperture F1.8 ISO 1600. Editing was simply done with Picasa.

Next challenge:

The next challenge will be a little different but the theme is a tad obvious – “Christmas”.

This time I am not looking for abstract images or unusual interpretations, but rather something that represents your personal impression of or experience with this particular event.

“Christmas” should be submitted by Sunday December 28

I’d also like each of you (including Katy) to submit a theme idea, and I’ll randomly use one for each of the upcoming four challenges.

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Comments

5 Responses to “Photo Challenge 4 – Transition”
  1. Stephen, Jus so you are aware…the trains were moving… just not at the same time. I did have a moment of anxiety as the train approach and the conductor tooted his horn in disapproval. Perhaps he perceived my expressionless face a concern thought I would jump into purgatory?

    Matt, I think your shot is perfect and if this was a contest, you would be the winner this week. My only other comment is that I expected the time to read 2 minute to midnight…as typically represented with the Doomsday Clock .

    Jopie, I love your idea. You are exceptionally photogenic and your genuine expressions lend well to captivating your audience. I only wished that the tone or luminance of the images were more mixed or random and not so dark along the bottom. Another trick is that in a matrix, the subjects might engage each other or lean toward facing the centre of the image vs. outside the frame.

    • rockportrait says:

      Hey Ken, I’m with you on Mat’s image being an outstanding idea, however I feel that there is room for things like spot removal (big spot bottom right) and cleaning up the areas of light drop off (is the vignette deliberate, Mat?).

      An image should inspire me to think about the concept, not the quality of the picture, and Mat’s makes me spend too much time staring at that spot, then the dark corners to allow me to fully appreciate his idea.

      Personally I would have experimented with washing out the background out to make it high key, rather than keeping the typical yellow colour we get from shooting indoors with low light, but that’s only a personal choice, not a comment on image quality. It may look better the way it is presented now, with a more antique feel. I am also not enjoying the noise in the image although, once again, that could be interpreted as grain and be attractive to some. I’ve never liked digital noise in images, although it doesn’t seem to affect the impact of my live rock shots, and I don’t think the grain plugins I’ve seen are any good either.

      To be fair, my own image is also quite noisy (you only have to compare it with your own to see that), and I did my best to reduce it without impacting the overall feel too much. I have no idea why there is noise in the darker areas, given I shot at ISO 100. Perhaps you can help me out here.

  2. Joepi says:

    I too was quite challenged with this week’s theme. I had too many ideas running in my head (all the discarded ideas uploaded on facebook!) In the end, I ended up with the original idea in my head!

    Thanks, Ken for the feedback (and for the compliment! :-D ) I had never really thought about having the different photos and their direction, and how it can affect the over-all feel/message of the photo. Oh and I was wondering about your trains too and how you took that. It seems that you really do get out there to take your photos. And Steve, to add to the details you were mentioning in Ken’s photo – even the cross in the middle adds to more thoughts on Transition. Nice work as always, Ken!

    Steve & Matt – I love how both your photos captured the essence of time but in two different ways. To capture time in a still photo is a tough job, and you both did it. Steve – I really am loving those vignettes! Matt, the use of the 5 second exposure is brilliant! (Clap clap clap!)

    Katie, WELCOME! Looking forward to your submission for the next challenge! :-D Cheers!

  3. joe.porto says:

    Transition or “Trainsition”

    Comment: Years ago I was at CN’s Turcot Yard with my camera inspecting a freight car that I had had modified. I was close to the car inspecting and taking close up pictures of the modifications when I decided that I wanted a shot of the whole car. I quickly ran across several tracks, stopped, turned and a massive diesel locomotive with frieght cars passed by on a track that I had just crossed. The locomotive engineer and I stared at each other as he was passing with the same thoughts written across both our faces – “HOLY SHIT”. I was so focused on what I was doing that I did see or hear the on coming train.

    My first thoughts of the “Trainsition” photo was that of the tracks switch that enables a moving train to make the trainsition from one track to the other. I thought that Ken simply went to a rail yard and take the picture of the switch in the middle of a bunch of parked trains.

    After he explained how the shot was taken, I can’t help thinking that had motion blurr been introduced into the passing trains by shooting a slower speed setting my reaction would have been:

    DID KEN RUN INTO THE MIDDLE OF MOVING TRAINS TO TAKE THIS SHOT!!!! WHAT IF HE DID NOT HEAR A THIRD TRAIN COMING TO MAKE THAT VERY SWITCH WHILE TAKING THE OTHER TRAINS!!!! IS KEN F@#KING NUTS!!!!

    What a difference a quarter of a second on the speed dial could make!

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