Photo Challenge 8 – Texture

This was a fun theme, and for mine, the hardest part of shooting this was trying to nail it down to one image. There are so many textures one could shoot.  The other thing this challenge did was make me realise how much I need a macro lens. In the end I had to crop my final choice as I simply couldn’t focus closely enough to compose it totally in camera.  Not the best way to end up with the result I wanted.  A confusing result from this challenge was the difficulty a couple of the other challenge participants had in shooting a suitable image by the deadline. Whilst I believe that I could take 60 quality shots on this theme within 60 minutes, others see the world around them very differently. I suppose it simply illustrates how uniquely each of our minds work.  I hope this particular challenge also helps some of us find a different way to look at our surroundings as fuel for photography.

Steve’s submission

My thoughts:

After a few of days of moping around the house reflecting on our horrific fire disaster, I realised that the texture of my own 3-day growth was waiting to be shot. After all, it’s at least as interesting as the study materials I’ve been staring at. So, being the very lazy photographer that I am, I grabbed my 350D with the 50mm 1.8 lens, shuffled into the bathroom and took a couple of snaps into the mirror, with careless guesswork being my means of determining a focal point (obviously I couldn’t look through the viewfinder). After shooting three images whilst trying to stifle yawns, I chose the last and dialed down the saturation a little.  The unnatural yellow you get from down-lights lends it some character, and all I really had to do was crop closely and fiddle with the curves to improve contrast.  To shoot this properly, I should have waited until daylight, used my 30D and the 70-200 USM 2.8 lens on a tripod, with a remote control and me sitting next to a window.  As I said, I’m lazy and that was way too much work. Hence this quick and dirty, hand-held marvel with my toy SLR.

ISO 200, F4.0, 1/30

Joepi’s Submission

Joepi says:

This Ao Dai is my favorite souvenir from my travels. I took this for the photo challenge to show the texture of the fabric and the embroidery. I love the details on the dress – the stitches along the edges, the colorful thread used, and the satin on the collar. This beautiful softness is offered to you for your viewing pleasure. Shot with my Canon 400D on a 50mm lens.F1.8 1/40 shot in natural light.

My thoughts: I love this photo. I love the Ao Dai (pronounced “Ow Yay” in the south and “Ow Zhay” in the north) – Joepi has immortalised her stunning garment just beautifully. I love the collar as much as I do the design, the composition is very good, and the image is so sharp I feel like I could reach out and touch it. This photograph successfully transfers the feeling of texture from my eyes to my fingers.

Mat’s submission:

Mat says:

I’ve struggled with this one for the last two weeks trying to come up with a concept I would enjoy shooting. The main problem I had is that to me texture is something you feel, not something you take photographs of! I’ve had this silly pun in the back of my mind for at least a week, and as I haven’t been able to come up with any better ideas I decided to shoot it. I fed the shot through some of the interesting texture effects in Paintshop Pro to give the smooth wood and wall a far more textured feel. I think I’ve surprised myself by actually coming up with an interesting photo and not just a silly pun, but here it is: Textchair!

My thoughts: Mat said it himself. This was a bit of a cheat on his behalf (so was mine last week), but in fact there is texture everywhere in this image, the most obvious being in the post-processing. However, the chair has texture in the grain and feel of the wood, as does the floor it sits on and the plaster of the wall behind it. I for one, have ignored his play on words and thought immediately of how smooth the polished chair feels in the hand as you follow the bumps, grooves and stretches of timber shaped by the lathe. No matter what the purpose of the image, it’s actually quite an interesting one to look at.

Ken’s submission

Nope, it’s not an error – there are two images for Ken. Read on, then make your comments as necessary.

Ken says:

I set out to photograph some familiar rock formations along the coast for this weeks challenge. However, as i was getting into the processing, I kept glancing up at a postcard I’ve previously printed and pinned on my wall. It was from a set of the very first photos when I began getting back into photography in August 2004. I had just bought a Nikon D70 kit with an 18-70 f3.5 lens. The lens was terribly slow but still very sharp. This is a small alley near the Prahan Market on a very wet day. My original goal was to shoot the whole alley which was lined with plenty of graffiti along the walls. My favourite of the set ended up being this shot for its simplicity and texture. The addition of the sepia improved the contrast and mood.
…..whilst digging the alley photo out of the archive I have come across another which also fits very well with the challenge. I will let Stephen decide if two photos would be appropriate. This was a crab net on the docks in Port Fairy. I was travelling back from Adelaide and stopped in Port Fairy to spend the night. I was delighted to come across this old net on the dock. It lends itself well to being black and white as there is little contrast in the colour shot with the rust blending in with the background dock

My thoughts: I know sometimes we have a lot on our plate, so I’m OK with archival shots every now and then – this time Ken submitted two from his archive. One I’ve seen before and absolutely love, but I initially picked just one – the crab pot because it’s new to me.   Then I saw how much Ken wrote, and I know he doesn’t like putting pen to paper so much. I didn’t want to edit his submission, so here you are – two images.  As I said, they’re both awesome images, but I’m concerned about starting a trend in shot selection, so let’s hear your feedback first.

I use the word challenge because I want people to think about the theme for the best part of 2 weeks and actually get out there and shoot a new image.  Another part of the challenge is to be able to select and edit – I know how hard that is for me, and Ken’s got a lot more good stuff coming out of his camera than I do.   Ken, I know your busy, but am I going to have to pick you up and take you away from the house, camera in hand, a couple of hours a month?  Actually it would do me some good and get me some Vitamin Sun.

Katy’s submission

Katy says:

I’ve always been a texture enthusiast. Yes, I’m that kind of nutcase who goes shooting for textures every so often, especially during the rainy season – don’t ask me why as I can ramble on that for hours.

Looking back on my previous photo database, I could discern that every other image I took had been strewn with layers of textures ranging from fur to parched paper. Unluckily, most of them were merely experimental and not prone to be ever displayed in public. For what it’s worth, I’ve got a reputation to uphold.

For this shot, the aperture was at 9.0 and the shutter at 1/160 setting focal up to 55mm on me amid pine trees on a bright sunny day of Sunday.

My thoughts: Well, the timing on this is perfect – Survivor series 18 started yesterday, and it’s set in Brazil.  Katy looks like one of the competitors after a tough immunity challenge.  And if it wasn’t for the strap of her singlet I could imagine she is the wild woman of Borneo running and hiding in the forest whilst trying to remain a myth.  I’m glad someone photographed a pine tree. They are about the most enduring memory of texture I have from childhood. Most country schoolyards had them, I think.  One thing I’d really prefer to see here is a sharp crispness of the tree, as that is actually what my eye is drawn to. I suspect it was there in the original, but might have been lost in post-processing? Katy – any thoughts on that?

Next Challenge

It’s time to give Katy a go. She came up with a real doozy and I’ve been trying to figure out how to do this exactly.  The theme is “Seven Deadly Sins“.
For those of you not up with sinning, and I sure as hell (oops) am not, here’s what they’re said to be:

1. lust
2. gluttony
3. greed
4. sloth
5. wrath
6. envy
7. pride

Personally, I can’t see anything wrong with any of them.

Now, I’m not going to ask you to submit seven photos, nor am I going to spread this out over 14 weeks.  So, you have two choices.  You may either shoot one image that encompasses all seven, or you may pick your favourite sin and make it happen in a glorious 2D photograph.

IMPORTANT – I hate censorship as much as the next person, however this blog is read by people of all ages and I’m not quite ready to introduce password-protection or adults-only sections.  So, if you just can’t help yourself, send those images to me separately for private evaluation, but I can only publish the PG – M rated shots.

PLEASE submit your images by just after sunset on Sunday March 1st (Australian Eastern Standard Time for you internationals).
Most importantly – have fun shooting!

Photography for Musicians – Published in Forte Magazine

Working in the rock photography business means you are regularly challenged by the scores of music fans with cameras – whether it be directly when you’re trying to work around them at a gig, or via bands who don’t yet understand the difference between fan-shot images, and professional, marketable ones.  You know, I’ve even met management representatives who don’t understand the difference.

Late last year I wrote a two-page spread for Forte magazine in a contribution to their “Essential Young Musician’s Guide” series. Forte is the music street press for the Geelong and western Victoria region.  They’ve only just recently made the issue available online, so I can now reproduce it for your enjoyment.

Key points I covered included:

• The band photos used in the bio, and CD artwork, can be a deal breaker. They need to be professionally shot.
• Presenting amateurish photography is almost as much a backward step as presenting amateurish demos on Myspace.
• Effective live gig photography is not easy, and requires a real knowledge of light as much as an understanding of stagecraft.
• A Myspace page is not enough. Whilst it has it’s purpose, you need a professional web presence.
• Find a photographer with creative vision that aligns or compliments your own.
• Ask questions about experience, charging, contractual rights, numbers of images, gear and recommendations

Attached is the article itself. If you have an interest in hiring a photographer (hopefully me!) or you’re dabbling in the idea of rock photography yourself, then do yourself a favour and add this to your reading material.

The Essential Young Musicians Guide – Part 4 (Forte Magazine, Nov 20, 2008)

Apologies for the typos throughout. I can’t do everything myself, as much as I would like to, so typesetting fell into the hands of the publication itself. 

What do you think?

Just for a bit of fun, and to find out who’s reading this far into my article, here is my initial suggestion for an advertisement I took out in the same magazine, and following is their final proof supposedly based on mine. Quite a bit different.  Tell me which one you like best, or none if you think they’re both rubbish.

My proof - sent to Forte for them to use.

Advertising proof put together by the Magazine

Photo Challenge 7 – Technicolor

Yeah yeah, I used the American spelling. Less characters to type, and technicolour just looks weird.

Tech⋅ni⋅col⋅or

/ˈtɛknɪˌkʌlər/ [tek-ni-kuhl-er]
1. Trademark. a brand name for a system of making color motion pictures by means of superimposing the three primary colors to produce a final colored print.
–adjective
2. (often lowercase) flamboyant or lurid, as in color, meaning, or detail.

Steve’s submission

My thoughts:

This is representative of my typical way of thinking about things – left of centre, although I’m sure Mat would have thought of this too.  This is a collage of “technical colour” things around my house.  I don’t have much else to offer about this image today so I’ll leave it to others for a change.  And thanks to Joepi for her help on how to use Photoshop to create a montage/collage or whatever it’s called.

Joepi’s submission

Joepi says:

Sinulog is a festival held in Cebu every year on the 3rd weekend of January. It is the Philippines’ version of Mardi Gras (sans the nudity as this is a religious festival).
The colors you see being displayed for you in the Grand Parade are just plain fabulous and earns the “WOW Philippines” tourism tagline. Among the hundreds of photos I took that day for the uber-technicolor event, I chose this particular photo obviously for the many colors in the photo but also because of the challenge I had in trying to bring out the colors despite a gray sky which dampened the color in a lot of my photos. If anyone has more tips on how to bring out sunny colors on a dreary day, please speak up!
Taken with my Canon 450 D Portrait lens.

My thoughts: An extremely bright image which I think fits the criteria of our theme perfectly.  Excellent choice of crop, too. I like the tightly cropped portraits. I’ve seen the entire set of Joepi’s Sinulog photos and I have to say that the colours are just great the way they’re presented. In my view the overcast day actually helped them to stand out. Personally I dislike shooting in bright sun as it tends to wash out colours for me. Ken is the light expert, someone might want to wake him up out of hibernation and get his opinion.

Katy’s submission

Katy says:

This shot was taken in a park nearby ages ago. I tried to play with the color blend a bit by rummaging up on PS – channel mixer basically and monochromatic noise set to 15 to make it look old. However, I’m not convinced whether I got the idea right.

My thoughts: This is actually quite similar to how I imagined technicolor movies might look (I don’t watch anything that isn’t in full colour, with lots of explosions and CGI).  In my view it also has an old Kodak (or was it Agfa) slide look about it. Hmmm, wonder if that’s why Katy used a slide in the image – to make that connection…

Ken’s Submission

Ken says:

This is a photo i took some time ago of Victor Pender, a local Melbourne musician.  I really like the shot as it very much represented his personal style. I like that it has a kind of retro/disco/techno feel.

Victor was sitting on my dining table with black muslin draped behind him. I used a pair of Bowens monolights, one high above to create the butterfly lighting and the other behind to give the green backlight. The spot in the corner and lens flare was applied in Photoshop.  I knew as soon as I fired the first shot of this sequence that it would be the best shot of the night.The sharp shadows are created using a small reflector on the light source and keeping the light close to the subject to minimise the light depth of field.

This was shot with Nikon’s 28-70mm at f8.0 ISO 100.  I tend to always stick to the middle aperature on the Nikon lenses when in studio as they prove to be sharpest and  have no distortion.  I control the exposure with the lights power adjustments.

My thoughts: I always remember a couple of things that Ken has taught me, and one is the use of F8 on my studio lenses to get the sharpest images.  I also marvel at how he thinks through the lighting to create the end result. Years of experimentation and practice, I suppose. This is a superb portrait of Victor with a lovely touch of dreaminess to take it into the realms of rock. The colours of the lens flare are very cool, and I like the slightly muted, rusty tones.

Mat’s Submission

Mat says:

I was considering heading into the Melbourne CBD to shoot some of the fantastic graffiti art that decorates the city, but with the high temperatures we’ve been having lately I was worried that my camera might melt, or I may spontaneously combust, so instead I decided to shoot a portion of my unfeasibly large collection of t-shirts.
I took a few shots at different exposures and played around with the HDR Merge function in Paintshop Pro to come up with something nice and bright but also a little unnatural. And yes, I do wear these t-shirts on a regular basis!

My thoughts: Yes. Mat does wear these t-shirts. I regularly go home with a headache after he insists on accompanying the orange one, which delights in shouting boorishly at anyone who will listen.  Another excellently thought out and composed photo.

Next Challenge

It’s Ken’s turn this time with his suggestion of “Texture“.   For your enticement I have a very intriguing and possibly difficult theme coming up after that, suggested by Katy.

Looking forward to all images being submitted by close of the clock on Sunday 15th February.