Photo Challenge 10 – Photographer

March 16, 2009

Well, we come to an end after 20 weeks of the original strict Photo Challenge format. We’ve lost two contributors along the way, with a third just hanging in there.

I am benefiting creatively by shooting in styles I am not familiar with, so instead of setting formal challenges online each fortnight I’m going to change the structure into something far more casual.  Any reader wishing to suggest a theme or get involved in a challenge should feel encouraged to do so, no matter what level they believe their photographic skills are at. Whatever I receive, whether it be a photo or an idea, will inspire me to shoot for that idea, and I’ll ask that you help me by continuing to contribute your thoughts and comments.   In other words, I’m going to post whatever theme I feel like, whenever I like,  in response to whatever conversation I’ve been having either online or offline with you guys.

Sounds like fun?  Well, it does to me.

On to our theme for this particular challenge – Photographer.

Steve’s submission

Photographer - Steve

My thoughts:

My camera and tripod was still out after shooting a passport photo of myself, and when I moved it out of the cinema room (my “studio”) the cats showed their usual over-curiosity. Cue “ding” noise in sync with light bulb appearing over my head.

I took three images I really liked, and had a tough time choosing one, but this is as close as it gets to a cat setting up a “still life” photo of the outdoor BBQ. It so happens that the BBQ is the one spot the two of them can jump on to see over the fence. In this case I believe Mishka may be doing some rainy day reconnaissance so she is better prepared to make an escape bid when the sun reappears.

ISO 200, F2.8, 1/60

Joepi’s Submission

Photographer - Joepi

Joepi says:

The battle for the best spot to get the best shot.
There were more photographers at the back just waiting for their turn. I decided to get away first before I add to the non stop clicking and excited Photographer chatter.

My thoughts: As soon as I saw this image it reminded me of an image I took of a horde of male photographers swarming around a Japanese mini-celebrity in Akihabara. It’s unlikely that you’d see this sort of photographer/subject interaction on a Melbourne street. I’m not sure if that’s because Australians don’t take street photography seriously, or because the potential subjects so often display a bad attitude towards being photographed.

Joepi exhibits excellent paparazzi skills by being in front of all the rest.

Mat’s submission:

Photographer - Mat

Mat says:

I took this during an Asleep In The Park gig where there were a few other photographers roaming around. I took this at 3200 ISO because it was a pretty dark venue then as the original shot was done in bright red light I fed it threw a gentle sepia filter in dark room to make it look less like a photojournalist visiting hell. I was tempted to
lighten up the camera but then I thought the photographer is the subject here and the camera is really irrelevant. At first I was amused at the way this guy has his left eye all screwed up in a painful looking squint…until I realised that I probably do the same thing!

My thoughts: Nice image, Mat. Well composed and exposed. I’m very impressed that 3200 came out this well. Seems like I might have to upgrade my 30D to the something with a new chip after all. I’m glad you didn’t lighten up the camera.  The photographer is, and should be the subject here. Definitely makes me squint when I look at it. In fact there are days when I wonder if I’m going to get my regular focal length back in my left eye, especially after staring at a bright stage through the viewfinder for an hour. On the flip side (excuse the pun) I feel very uncomfortable when I notice he is using his right eye to focus.  That just doesn’t seem at all right to me.  Well done in bringing back the image texture. After shooting once at Revolver under those bad red lights, I’ve chosen not to go back – at least not with my camera.  Note – Tyrah Banks thinks that lump above his left eye makes him uniquely photogenic. You may wish to suggest he try out for Cycle 13.

PS – “dark room”? You going backwards in your progression and fallen into film techniques, Mat? ;-)

Next Challenge

The next challenge is to think up the next theme for the masses to go crazy about. (Sarcasm is one of the services I offer).

I have some ideas for things I’m going to post when I get the urge, but if someone wants to put a rocket under me any earlier than that, then be my guest.

Update – buying and using a DSLR for beginners

December 10, 2008

A little while ago I posted a link to a site providing some basic info for those making the transition into theworld of the Digital SLR (DSLR).

http://site.rockportrait.com.au/2008/08/27/upgrading-from-a-point-and-shoot-to-a-dslr/

Yesterday I stumbled on CNet’s much better version of this, so I’ve made it available to you all here.  The content that really stands out to me is the workflow section.  This is a critical component of digital photography yet few actually consider it so until after they enter chaos or panic stage.  Once you start creating and collecting all that digital data you really do need a time-effective, and safe means of managing and protecting it.  My own process took a while to put together, but works well. I use a number of products to make my life easy (see below), and I store my precious photos in four different locations – the process of which is fully automated. Seems like a lot of trouble? Maybe, but well worth it when the hard drive crashes (it will) or the house burns down (I hope it won’t, but it happens).

http://www.cnet.com.au/digitalcameras/cameras/0,239036184,240001942,00.htm?ocid=nl_w_01122008_fea_l1?omnRef=1337

Saves me having to go through it with you, although you know I love it ;-)
Please read through this, but if you still want a human being to help you with your questions about getting into the DSLR side of things, feel free to get in touch.

The main tools of my trade:

GretagMacbeth Display Calibrator – not the best available, but cheap, and if you are serious about making great shots you need to calibrate your monitor regularly.

BreezeSys Downloader Pro – I couldn’t live without this.  With very little input It allows me to create and populate all the backup locations I need, as well as add the EXIF data (image identification and copyright info) and rename and deliver all my images to my working directories.  It kicks in the moment my camera or card reader is detected by the computer.

BreezeSys Breezebrowser Pro – not critical, but a useful and rapid way of creating proofs. It will do a lot more, but I use Lightroom for my other image manipulation requirements.

Adobe Lightroom – The best thing for photographers since sliced cheese, and almost replaces Photoshop. An affordable way to manage and manipulate your images, including the output stages – web pages, printing, uploading, slideshows.  Supports plugins and extensions. The latest version lets you make locational changes like spot removal and specific exposure modifications without affecting the entire image.  Most of all I love the filter plugins – make’s black and white and wild effects so easy.

Google Picasa – Hey!  You other photographers out there, don’t laugh! For a free product this thing is amazingly good.  When it comes to my snapshots (you know, the non-pro stuff I’m sure you all do as well?) I want a really fast way of polishing my images and getting them online.  This does exactly that.  And don’t underestimate how good the “I’m Feeling Lucky” button is.  They’re a clever bunch those Googleheads.  And yes, I’m a fanboy. :-)

Adobe Photoshop – The beeze neeze of photography tools, but becoming less relevant as Lightroom ramps up. Far too expensive for anyone but genuine pros, but also by far the best product out there to fully control your images.

Wacom Pen Tablet – Until you’ve used one of these you think the mouse is all you need. However, making accurate exposure changes, and drawing objects in and out of images is so much more natural with a pen tablet.

Syncback – Do you backup? I bet you don’t.  Hey, almost no-one does! In every job I’ve worked in the backup process wasn’t refined, and in some cases didn’t even exist, until after a disaster.  So – BACKUP!!!! OFTEN!!!  Syncback has a free version that does everything for you when you are asleep.

Filezilla FTP Client – Finally, you need a way to get your images online if you are running your own web server (easier than you might think). Why give your copyright away to Flickr, Myspace or Facebook? (Did you even know you were doing that?) Host your own images.  Use FTP to manage your site.

That’s all for today.  Have fun installing and playing with your new workflow management tools!

New Point and Shoot meets AFL at the Dome

May 23, 2008

Panasonic Lumix DMC FZ18

I’d like to talk about the long and arduous process I put myself through in choosing a suitable point and shoot camera for my upcoming travels. I own two Canon DLSRs and an old Powershot S50, but I wasn’t prepared to lug a big body and even bigger and expensive lenses all around Asia for 53 days.

Oh – yes, I’m leaving my office job and travelling through seven countries from June until August. You’ll be able to read (I hope) a daily blog update from me, including photos, once I kick it off. [Read more]