Photo Challenge 10 – Photographer

Well, we come to an end after 20 weeks of the original strict Photo Challenge format. We’ve lost two contributors along the way, with a third just hanging in there.

I am benefiting creatively by shooting in styles I am not familiar with, so instead of setting formal challenges online each fortnight I’m going to change the structure into something far more casual.  Any reader wishing to suggest a theme or get involved in a challenge should feel encouraged to do so, no matter what level they believe their photographic skills are at. Whatever I receive, whether it be a photo or an idea, will inspire me to shoot for that idea, and I’ll ask that you help me by continuing to contribute your thoughts and comments.   In other words, I’m going to post whatever theme I feel like, whenever I like,  in response to whatever conversation I’ve been having either online or offline with you guys.

Sounds like fun?  Well, it does to me.

On to our theme for this particular challenge – Photographer.

Steve’s submission

My thoughts:

My camera and tripod was still out after shooting a passport photo of myself, and when I moved it out of the cinema room (my “studio”) the cats showed their usual over-curiosity. Cue “ding” noise in sync with light bulb appearing over my head.

I took three images I really liked, and had a tough time choosing one, but this is as close as it gets to a cat setting up a “still life” photo of the outdoor BBQ. It so happens that the BBQ is the one spot the two of them can jump on to see over the fence. In this case I believe Mishka may be doing some rainy day reconnaissance so she is better prepared to make an escape bid when the sun reappears.

ISO 200, F2.8, 1/60

Joepi’s Submission

Joepi says:

The battle for the best spot to get the best shot.
There were more photographers at the back just waiting for their turn. I decided to get away first before I add to the non stop clicking and excited Photographer chatter.

My thoughts: As soon as I saw this image it reminded me of an image I took of a horde of male photographers swarming around a Japanese mini-celebrity in Akihabara. It’s unlikely that you’d see this sort of photographer/subject interaction on a Melbourne street. I’m not sure if that’s because Australians don’t take street photography seriously, or because the potential subjects so often display a bad attitude towards being photographed.

Joepi exhibits excellent paparazzi skills by being in front of all the rest.

Mat’s submission:

Mat says:

I took this during an Asleep In The Park gig where there were a few other photographers roaming around. I took this at 3200 ISO because it was a pretty dark venue then as the original shot was done in bright red light I fed it threw a gentle sepia filter in dark room to make it look less like a photojournalist visiting hell. I was tempted to
lighten up the camera but then I thought the photographer is the subject here and the camera is really irrelevant. At first I was amused at the way this guy has his left eye all screwed up in a painful looking squint…until I realised that I probably do the same thing!

My thoughts: Nice image, Mat. Well composed and exposed. I’m very impressed that 3200 came out this well. Seems like I might have to upgrade my 30D to the something with a new chip after all. I’m glad you didn’t lighten up the camera.  The photographer is, and should be the subject here. Definitely makes me squint when I look at it. In fact there are days when I wonder if I’m going to get my regular focal length back in my left eye, especially after staring at a bright stage through the viewfinder for an hour. On the flip side (excuse the pun) I feel very uncomfortable when I notice he is using his right eye to focus.  That just doesn’t seem at all right to me.  Well done in bringing back the image texture. After shooting once at Revolver under those bad red lights, I’ve chosen not to go back – at least not with my camera.  Note – Tyrah Banks thinks that lump above his left eye makes him uniquely photogenic. You may wish to suggest he try out for Cycle 13.

PS – “dark room”? You going backwards in your progression and fallen into film techniques, Mat?

Next Challenge

The next challenge is to think up the next theme for the masses to go crazy about. (Sarcasm is one of the services I offer).

I have some ideas for things I’m going to post when I get the urge, but if someone wants to put a rocket under me any earlier than that, then be my guest.

Photography for Musicians – Published in Forte Magazine

Working in the rock photography business means you are regularly challenged by the scores of music fans with cameras – whether it be directly when you’re trying to work around them at a gig, or via bands who don’t yet understand the difference between fan-shot images, and professional, marketable ones.  You know, I’ve even met management representatives who don’t understand the difference.

Late last year I wrote a two-page spread for Forte magazine in a contribution to their “Essential Young Musician’s Guide” series. Forte is the music street press for the Geelong and western Victoria region.  They’ve only just recently made the issue available online, so I can now reproduce it for your enjoyment.

Key points I covered included:

• The band photos used in the bio, and CD artwork, can be a deal breaker. They need to be professionally shot.
• Presenting amateurish photography is almost as much a backward step as presenting amateurish demos on Myspace.
• Effective live gig photography is not easy, and requires a real knowledge of light as much as an understanding of stagecraft.
• A Myspace page is not enough. Whilst it has it’s purpose, you need a professional web presence.
• Find a photographer with creative vision that aligns or compliments your own.
• Ask questions about experience, charging, contractual rights, numbers of images, gear and recommendations

Attached is the article itself. If you have an interest in hiring a photographer (hopefully me!) or you’re dabbling in the idea of rock photography yourself, then do yourself a favour and add this to your reading material.

The Essential Young Musicians Guide – Part 4 (Forte Magazine, Nov 20, 2008)

Apologies for the typos throughout. I can’t do everything myself, as much as I would like to, so typesetting fell into the hands of the publication itself. 

What do you think?

Just for a bit of fun, and to find out who’s reading this far into my article, here is my initial suggestion for an advertisement I took out in the same magazine, and following is their final proof supposedly based on mine. Quite a bit different.  Tell me which one you like best, or none if you think they’re both rubbish.

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Photo Challenge – Introductions

Welcome to the first of what I hope to be many Rock Portrait Photography Challenges.

My idea is to present each of my photographer friends with a regular challenge to create one image in a particular theme. Nothing ground-breaking about this idea, but each of us has very different points of view, artistic visions, experience, skill sets and countries of origin, and can therefore present images that cover the gamut of the photographer spectrum – from basic enthusiast to experienced professional.  As site owner, I get to be the reviewer – for now (until one of the others regularly writes more than I do, and by default becomes head reviewer).

I intend to review these images from the point of view of you – the uninformed viewer.  I may, or may not present the point of view of the photographer as well.  We’ll see how I feel.

You see, whenever I look at images online, or in a gallery, I generally have no idea how or why it was created, so I make up my own view. Whether my conclusions are right or wrong are irrelevant. In fact, it’s my opinion that this is what art is all about. Art is just a word to describe the result of one person creating something (usually not particularly practical) that another person can interpret in an entirely different manner.

The four contributors at this time are:

1. Ken Warmington
   Ken is the most experienced of us all.  He’s an Australianised Canadian who has been shooting since before birth, uses Nikon exclusively, is particularly interested in black and white and HDR (high dynamic range) images and knows too damn much about photography.
2. Mat Ward
   Mat is a miserable Yorkshireman doing his very best to cheer up in the warm Aussie sun.  Well, he’s not as miserable as he seems, and he proves it by occasionally wearing orange t-shirts and funny hats.  Mat is learning the ropes with a Canon EOS 450D or something, and spends a lot of time trying to make the camera capture his world the way his very unusual mind sees it.
3. Joepi Paloma
   Joepi is the only cosmopolitan of us still living overseas, and she takes full advantage of her Manila home to go scuba diving in some of the very best locations in the world every weekend (grrrr!!!).  Joepi has recently purchased a 400D which is put to good use above water whilst her Canon A620 in it’s housing goes nuts in the depths of the tropics.  Joepi clearly has too much time on her hands as she is easily the most prolific photographer of us all.  She’s also a Nudibranch fanatic!  If you don’t know what that is you have two choices – either giggle uninformatively under your breath or go look it up in Wikipedia for the correct definition.
4. Stephen McGrath
   That’s me, of course. I’m the only real Aussie, although I tell everyone I’m Irish whenever Paddy comes over here to hand the Aussies a drubbing in International Rules football. I once tried telling an Irish girl that I was Irish and nearly got bonked over the head with a mouldy potato.  ( I did say “of Irish descent”).  Anyway, I use Canon gear – a 30D and 350D – and try to shoot in natural light (I hate flash), capturing candid moments.  Ken is my mentor, but we also work very well together due to our complimentary and very different points of view about everything.

Hopefully this challenge will kick off some excellent discussions, learning experiences and, at the very least, inspire the more busy of us to take photos more often.  And if we get enthusiastic enough, we may even start a podcast!  But let’s not get too excited…

Venting my spleen

I can’t listen to band photographers griping about current state of affairs without saying my piece.

Photo credit: Josefina Takes a Picture by carlosluis

Recently I’ve been reading a spate of emails from professional band photographers complaining that “amateurs with point-and-shoots” are being allowed into the pits, and that record companies, bands and management firms are expecting images for free.

As much as I love shooting live bands more than anything, it’s pretty obvious that this is not a career path capable of paying the mortgage. So, I do it for fun and the occasional remuneration. My genuine photography income comes from bread and butter stuff like portraiture and corporate events. Those things need photographers that know what they are doing. Amateurs cannot yet service that demand. They can service the need for live band images.

My annoyance at these photographers who can’t see the forest for the trees led me to respond as such. I thought I’d share. [Read more]