I’ve been published again – well, sort of.

Anyone ever heard of Schmap online travel and map guides?

Nope, me neither.  Regardless, I’ve allowed them to use one of my more average photos of a wallaby in their latest guide to Melbourne.

Apparently they are best known for their iPhone app and blog widgets, allowing people to quickly call up maps of whichever international tourist destination they happen to be traveling around.  The editor contacted me through Flickr, asking to use this shot to represent the Healesville Sanctuary.

At first I cringed, thinking that’s a terribly lit photo from a not very compelling angle (in other words, a snapshot) and wanted to offer her a bunch of really excellent flora and fauna shots from both Healesville Sanctuary and Werribee Zoo to choose from instead.  Then, after thinking about it, I realised that it would be best not to waste too much time on this as the chances of someone seeing the shot on their iPhone and suddenly getting the urge to contact Rock Portrait Photography, or even just take a look at more of my photos, is next to zero.

What this experience illustrates is that even though there are millions of photos and many thousands of subscribers on Flickr, there is still a reasonable possibility of exposure to those looking for something specific.  Makes me re-think my current view on what I post to Flickr.  Currently I post very little of my professional work on there as I don’t like the idea of it being open to re-use without my permission.  Even though I apply an appropriate  Creative Commons licence to all my images I still have to rely on people respecting that, as it’s nearly impossible to track down unauthorised use of online images.

But lets face it, the iPhone is kind of cool so having one of my shots occasionally appear in one is cool by association.

Photography for Musicians – Published in Forte Magazine

Working in the rock photography business means you are regularly challenged by the scores of music fans with cameras – whether it be directly when you’re trying to work around them at a gig, or via bands who don’t yet understand the difference between fan-shot images, and professional, marketable ones.  You know, I’ve even met management representatives who don’t understand the difference.

Late last year I wrote a two-page spread for Forte magazine in a contribution to their “Essential Young Musician’s Guide” series. Forte is the music street press for the Geelong and western Victoria region.  They’ve only just recently made the issue available online, so I can now reproduce it for your enjoyment.

Key points I covered included:

• The band photos used in the bio, and CD artwork, can be a deal breaker. They need to be professionally shot.
• Presenting amateurish photography is almost as much a backward step as presenting amateurish demos on Myspace.
• Effective live gig photography is not easy, and requires a real knowledge of light as much as an understanding of stagecraft.
• A Myspace page is not enough. Whilst it has it’s purpose, you need a professional web presence.
• Find a photographer with creative vision that aligns or compliments your own.
• Ask questions about experience, charging, contractual rights, numbers of images, gear and recommendations

Attached is the article itself. If you have an interest in hiring a photographer (hopefully me!) or you’re dabbling in the idea of rock photography yourself, then do yourself a favour and add this to your reading material.

The Essential Young Musicians Guide – Part 4 (Forte Magazine, Nov 20, 2008)

Apologies for the typos throughout. I can’t do everything myself, as much as I would like to, so typesetting fell into the hands of the publication itself. 

What do you think?

Just for a bit of fun, and to find out who’s reading this far into my article, here is my initial suggestion for an advertisement I took out in the same magazine, and following is their final proof supposedly based on mine. Quite a bit different.  Tell me which one you like best, or none if you think they’re both rubbish.

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